ELECTION 2004
Politics of fear working like a dream
keeps America from changing horses
in the middle of a scream
ELECTION 2004
Politics of fear working like a dream
keeps America from changing horses
in the middle of a scream
I WAKE EARLY
I wake early and lie in bed
the air so charged with meaning
that I dare not rise and step into the day
What if I should lift a bitter sword
to cut my brother or my love
What if I make a careless jagged rend
in the sacred fabric of this day
How can I even dare to breathe
when every breath may lift the wings
of butterflies or drive them to the ground
DEBBIE OH DEBBIE
Debbie oh Debbie
are you thinking of going away
because no one ever asked you
hard enough to stay
Debbie oh Debbie
were you always so beautiful strong
that no one ever thought to carry you along
Debbie oh Debbie
the brave wolf that still shows its throat
and bleeds inside of its coat
Debbie oh Debbie had we but loved
less wisely, but more well
who can tell who can tell
Debbie oh Debbie
are you thinking of going away
because I never asked you hard enough to stay
DRAGONS
Beyond the maps of the ancient world
“There, be dragons”
Beyond the ways of parents and of peers
“There, be dragons”
Beyond the days of preachers and
of teachers
“There, be dragons”
Beyond where you know or
have dared to go
“There, be dragons”
A toe tip, a step, and a stride
Heart, arm and sword,
steeled by the fiery breath
How sweet the dragon’s meat,
and the maiden’s
Another mark on another map
“Here, be dead dragons”
OUT OF THE NEST
(for Carolyn going away to college)
You have the soul of a bird
It’s so joyful, light and fair
and now it’s flying to a world
that the frightened people share
And I pray you safe
when they see you there
Drawing water from mirages
For the flowers
round your castles in the air
ERIK BLOMBERG
“That one might be translated into light and song”
– Erik Blomberg
And yet the fear, the fear
always the fear that we
may loose something
in the translation
THE ARMADILLO
The armadillo lies
in the center of the road
with his feet in the air
The shell on his back
for centuries over used
caused the spine in his neck
to become somewhat fused
So that when he hears
that danger is near
he has to leap and turn
to cover his rear
And if that sound is the front of a car
he leaps into a sudden marriage
of armadillo and undercarriage
So he lays on his back and he waves his feet
a warning to travellers from far and near
about the many dangers of old fear
and old ways of dealing with it
PREMONITION
Carl Walenda used to say
He only felt alive
when walking the high wire
everything else was just waiting
Some rodeo cowboys feel the same way
for eight seconds on a good day
One day in South America
Carl Walenda checked his tie downs
something he never did
He went up on the wire anyway
and he fell
After all those years of butterflies
it’s hard to tell
which is the black one
HEADWIND
Heading west for stampede city
doing two miles a minute through air
with a Chinook pouring over the mountains
and a rising feeling that you’ll never get there
You’re going slower and slower
over the rough wind swept ground
and you don’t want to land in that field
and of course, you don’t dare turn around
The needle and your knees
are all three on empty, knocking
and if you had a car, you’d pull over
get out the old can, and start walking
But you’ve made it, you land, and you park
and you know there’s someone you’ve got to thank
when the boys put thirty two gallons
in your thirty two gallon tank
GRAND CANYON
Eight triple one Gulf, this is seventy eight Tango Sierra
how would you like to drop in to Grand Canyon airport?
We were flying Calgary-Phoenix; he, Phoenix-Sun Valley
a friend had just lost an engine. He needed to land
and wanted a ride to Phoenix.
I didn’t know the runway but I followed him in
It’s not a very long runway, and at the end
are some pretty big trees.
I was low and slow in the old Twin Commander
the one with the geared engines
The ones you always had to handle oh so gentle
like your throttles were a handful of eggs
So I played the game and brought in the power easy
Too slow and you eat the trees
too fast and you eat the pistons, and the trees
And it was a mighty pretty runway
when you were standing on the ground
On the way back from Phoenix
It was late afternoon and we were lured
by the siren beauty of the Grand Canyon.
Right turn diversion, West to East as slow as we could go
Just below the rim the whole length of it
watching the magic colors as the sun
behind us lit up the canyon walls
Almost out of fuel we finally pulled ourselves away and
turned north to find a runway.
The wind was from the west and we had to land into the
blinding light of the sun just before it went down.
It was as if it had turned on us, this light that had made us
feel so alive, (although we had really turned on it) and was
about to kill us now because we didn’t have enough fuel to
go around and we had to face it
straight on.
With two pilot passengers looking out the side windows and
calling out heights and directions, and a little luck we got
down. And we felt good again, very good.
Always the turnings, always the changing, always the other
side of the coin. So many times in that part
of my life it seemed that the beauty and the
pleasure were but a thin membrane away
from the fear and the danger.